chavalah: Fandom: ASOIAF (Sansa: Life is Not a Song)
[personal profile] chavalah
I can forgive the last episode for more crap than I can forgive this one. This one has a lot more to live up to, of course—the very last Game of Thrones coda before the curtain drops. And I wish it had felt more authentic.

To address the big dragon in the room—who will be the next ruler of Westeros—this definitely felt a bit slapdash. In an earlier season, full of political machinations, it would have been someone else. I realize that Tyrion was trying to take the positive aspects of Dany’s “break the wheel” metaphor by switching things up a bit, but would the lords and ladies of Westeros really have gone along with it that easily? (In the show’s defense, I guess, maybe they were sick to death of war and strife. Anything to just start rebuilding already!) But yeah—it was too quick and too simple.

Can I just go ahead and spoil here who the next ruler is? Hopefully anyone reading this has watched the show? It’s Bran. And from a fandom perspective, he doesn’t work because we’re not invested enough in his character. That’s why it doesn’t give us the warm, fuzzy, resolution feelings. And I love Bran! He’s my favorite male character! :P Though to be honest, I’m responding more to the Bran of the books than I am to the Bran of the show.

At the end of the day, I didn’t completely hate the episode. I certainly didn’t go off to sign a petition to have Game of Thrones re-filmed, or talk about the show’s legacy as a complete waste. Some of these character moments still worked for me. (And worked a lot!) Others didn’t…even the ones that I sorta wanted? :P That’s weird.

It is likely that a show like this is impossible to end effectively. Part of its intrigue was always tied up in the never-ending drama, which I suppose is a plus for the show, because most of those storylines didn’t go stale. But I also think that David and Dan rushed the ending for the last two or three seasons, and that worked to the show’s detriment.

Basically, my rewatch of season 8 of Game of Thrones confirmed everything I wrote more immediately after the finale. :P If I were to add something more explicitly, it would be that Essos was a big stumbling block, for both the books and for the adaptation. Alas.

But in terms of what I wanted thematically—a grimdark show about complicated people that left room for hope over nihilism—this final season, this final episode, delivered. So kudos.


Episode Summary and Thoughts )
chavalah: Fandom: ASOIAF (Sansa: Life is Not a Song)
[personal profile] chavalah
I loved this episode. I hated this episode. For the past few years, I’ve been using the phrase that I saw Daenerys’s fate on the horizon, but we needed more time to get there.

I’ve written in earlier reviews about my desire for an elongated political plot that wasn’t in the cards. I wanted something for Dany that felt, more or less, like Cersei’s High Sparrow plotline from a few seasons back. Hell, I wanted something like that for Cersei, too, whose only real character development in season 8 was to sneer until she could sneer no more.

Instead, D&D brought down the hammer (and so much voiceover in the “previously on” section) about how Dany’s fate is tied into “flipping a coin” over Targaryen madness. It’s boring and it’s cheap! Maybe their only option if they have to tie up two epic storylines in six episodes of show. But the two mad queens deserved better.

All of that aside, the spectacle of what happened, GoT’s insistence on showing violence for what it is, vengeance for what it is, trauma for what it is…I’ll always respect that. And be wowed by all the production work, of course.

I guess what I really wanted or hoped for, when this season began, was for the White Walker attack to feel more or less like the attack in this episode. All this political grandstanding means nothing in the face of destruction. And there’s also something fairytalesque about some of these set pieces as well.

Other fans were upset that there was a lack of dedicated vengeance against Cersei in particular; I don’t have that problem. I’m a little more on the fence about Jon and Tyrion, specifically, and the lies they’re telling themselves. This episode is really misery porn for these two men, for more philosophical reasons than physical ones, really! Whether or not their drama rang true (but does ringing really count in this episode? :P /bad joke) I’ll parse below.

Episode Summary and Thoughts )
chavalah: Fandom: ASOIAF (Sansa: Life is Not a Song)
[personal profile] chavalah
Ironic title, isn’t it, when we just had a major, climactic battle in the last episode, and none of the members of House Stark died. Spoiler alert! (And I should be thanking my lucky stars anyway, because I spent the whole time on pins and needles about Sansa. Remember the possibly apocryphal story about how George R. R. Martin’s wife claimed that she’d leave him if he killed Arya? That’s me with Sansa. :P …well, not really, I guess. I’d keep reading, after an appropriate period of mourning! …or watching, she writes in hindsight of having completed the series. :P)

Back on topic here, and of course there is a metaphorical way, this episode, that the Starks lost a member—insofar as he was ever an official one. What’s going to happen as Jon’s explosive secret becomes more public? That’s what one of the major story arcs of this eppy is about!

Otherwise, this is very much a transition episode. We wrap up whatever issues lie between people at Winterfell (which, as a property, is looking good, all things considering. :P) Of course, the big one with lasting consequences into the second plot is the issue of Jon’s secret. It works to undermine Daenerys further, as she pushes the survivors of the White Walkers to make post haste to King’s Landing.

And since we still have half a season left, it’s pretty obvious that Dany can’t just take King’s Landing like that. Well, first of all, should she use her dragons to sack the city? Loads of innocent people will die! Cersei certainly won’t make anything better for them. Has her headspace changed much since we’ve seen her last? (Spoiler alert…no. As D&D reminded us in the “Inside the Episode,” Cersei knew from season one that “if you play the game of thrones, you win or your die.”)

I have mixed feelings about this episode, but I might actually be a bit more forgiving of it than I remember being when it first aired! Hmm. I will delve into my thoughts (plus a lengthy summary of events—final season gave us long eppys, at least!) under the cut.

Episode Summary and Thoughts )
chavalah: Fandom: ASOIAF (Sansa: Life is Not a Song)
[personal profile] chavalah
We’ve arrived to the midseason—and the biggest episode of all?! I guess I’m still having a little trouble coming to the fact that the White Walkers were dealt with before the end of the season. Though, to be fair, I never thought GRRM to be a nihilist, or that the survivors would board a boat to the west like Frodo Baggins and the elves. :P I always assumed that life would go on, after!

Before I spoil this episode even more, at least in terms of the outcome, let’s just say that it was a long night indeed; the entire affair took an hour and a half of storytelling! It was the longest episode of the entire show. It gets a bad rap for dark filming conditions (among other things) though part of that was surely an intentional aesthetic.

There’s also an air of unreality around these epic battles. It probably has the greatest use of dragons in the show’s history (especially with one dragon pitted against the other two!) I feel like there’s also a fairytale element at play. Whittled down, this is the story of an immortal monster attempting to kill a memory-keeper in the guise of a boy, and thus dash all of human history. The cost—that is, most of the deaths incurred—felt more psychological than sociological. I might be leaning too heavily on these phrases (plus, I recently watched the first season of the Foundation adaptation, which is ostensibly about the sociology of human behavior! :P) This is a general criticism levied against GoT—that the first few seasons were sociological, with plot points and character arcs hueing to a focus on the trials and tribulations of Westerosi leadership and Daenerys’s conquests in Essos. But that the last few seasons psychological, centering too much on payoff for specific characters, sometimes at the cost of overall believable storytelling.

But the Walkers, of course, are different. This storyline has never been about socio-politics, even in season one. With that, I’ll get into more of my thoughts on this episode under the cut!

Episode Summary and Thoughts )
chavalah: Fandom: ASOIAF (Sansa: Life is Not a Song)
[personal profile] chavalah
Another strong episode, I think. It’s very character focused, and it hearkens back, in a whole lot of different storylines, to the Game of Thrones of old. We have capital built up with all of these people who now find themselves at Winterfell; when they interact with each other, often nostalgically about the past, we the viewers feel those connections, too, from watching earlier seasons.

Of course, this episode leads up to a precipice. Most imminently, the fight with the dead (but there’s also that big reveal about kingship and ownership of the seven kingdoms. :o) For me, as a snooty book reader, I have the most difficulty squaring the circle when it comes to the battle with the White Walkers happening so early in the season. I’m still fairly convinced that in the (written and unwritten) books, the fight against the dead is far more important than the fight for the Iron Throne. Here, even though characters like Jon pay lip service to the idea that the dead are more important than the throne, the season itself says that the fight against Cersei is more significant than the fight against the Night King, because the story won’t be over after episode three. Spoiler alert, I guess, but this season is over three episodes long. :P I mean, when I first watched it, I had fantasies about an elongated fight. Maybe the Night King making his way to King’s Landing in order to challenge Cersei directly, er, once he’s done with Winterfell. *gulp*

But I suppose in looking back, I can label myself as a Tyrion? :P Too taken with my own cleverness to realize when I’ve been outplayed, heh. Speaking of which, I come down on the side of the fandom, if there is one, that likes the idea that Tyrion isn’t perfect, at least. His mistakes on the show are often borne out of a sense of idealism, which doesn’t necessarily go punished, either. Because if there’s anything that the first two episodes of season 8 can teach us, it’s that human camaraderie is something to be treasured.

So yeah, there’s a lot going on in this episode, even if we don’t leave the one location (to be fair, most of the characters have now convened there.) There’s a lot to comment on, but I think the last thing I’ll ramble about over the cut pertains to the title. To be pedantic, perhaps, it certainly refers to Jamie bestowing upon Brienne a knighthood. This hearkens back to some of the most medieval-styled lore of Game of Thrones (granted, it turns it on its head by including a woman in this military order.) As a fan, I don’t usually get too swept away by GoT/ASOIAF’s obsession with fighting valor. But it was a nice moment here. Nice, because it was something that Brienne desired and deserved since she was first introduced on the show. Nice because it was Jamie, someone with whom she has a deep and respectful (if complicated) relationship with, who recognized and rewarded her worth. Nice to see the expression on Gwendolyn Christie’s face during that scene, and the support from the rest of the cast present. It gave a human purpose to all of this ritual. It was a character moment. And that remains the strength of the show.

Plus, if I might extrapolate thematically, Brienne was a woman fighting the odds against a system that didn’t want her to be her true self. Now, everyone at Winterfell is fighting the odds against the White Walkers, who want to annihilate them completely. The cards are now stacked! Though we’ll have to wait another episode before we see how it all plays out.

Episode Summary and Thoughts )
chavalah: Fandom: ASOIAF (Sansa: Life is Not a Song)
[personal profile] chavalah
Weeelll, this has been a long time coming! The beginning of the end of my coverage of Game of Thrones.

The season finale first aired on May 19, 2019, and it is now over two years later. Seems like enough time has passed for me to get my thoughts around how it all went down. That, and maybe the emotions from the rest of the fandom (and let’s face it: a large swatch of anyone who watches television) died down.

That being said, the fire’s been snuffed out, but the shape of the dragon-glass is pretty absolute. General consensus seems to be that Game of Thrones crashed and burned in the final season. Most fans marked a steady decline since a couple of seasons prior, but this was the show’s final chance to “redeem” itself. And it failed to do so, in the eyes of many critics.

My feelings are a bit more complicated, though I do think that overall it was a weak end. It’s a shame how that then becomes the narrative, over the rousing success of the first few seasons. Over the fact that it inspired lots of non-fantasy fans—including my own parents—to watch. But that in itself is a double-edged sword. Game of Thrones got a bit too big for its britches. I mean to say that in some ways, I think the show got too big to succeed. I discussed it all much more succinctly in a blog post I made after the series finale, here.

Still, I think the first episode of the season was a pretty strong one. Some people don’t like the “set up,” but to me it’s all about the characters. And this hour was chock full of reunions—folks awkwardly dancing around old history as they try to devise the next step forward. Daenerys, on the other hand, was meeting people for the first time, and such meetings proved that “making friends” in the North would be far different from “making friends” in Essos.

In King’s Landing we check in on Cersei, now that she’s more alone than she ever has been before in her history. And we sneak up on the White Walkers, by way of seeing their carnage slink ever closer to Winterfell. Lots of balls up in the air here—including the next step of the Jon parentage reveal!

I’ve decided to do away with the “spoilers” section of my reviews, because quite frankly, we’re far removed from the books here. Maybe I should have my geek card taken away from me, because I’m less certain of outcomes anymore. I guess I still trust my “head canon” with regards to what might show up in later books, but eh. I had pretty strong feelings about the plotlines this season that didn’t come to pass. I’ll discuss my thoughts on each as the show gets to them. But I hope these reviews impart a friendly vibe for all show watchers. We’re all in this together!


Episode Summary and Thoughts )
chavalah: Fandom: Xena (Xena/Gabrielle: OTP Pride!)
[personal profile] chavalah
I stand by what I talked about in the last episode; that it was mostly filler. Yes, we needed the set up, but this hour is most definitely the main attraction. Hope is back, in charge, and more evil than she ever has been this season! Callisto joins Ares in flip flopping allegiances in order to get what she wants. We have new guest stars (like one with a certain theme song) who join the roster! There are more callbacks to Hercules and the hinds blood dagger, plus “the rift” between Xena and Gabrielle that dominated all season. Our leading ladies are both tested with what they might do to save the world from Dahak, when the price for action is high.

And, of course, “sacrifice” takes on a new meaning, apart from the villagers who are unwillingly made part of it in order to usher Hope’s daddy into the world.

It’s a tricky episode of television, because it’s one that pits human characters against god characters, and of course the humans are expected to win. Spoilers spoilers. So yeah, there are some eyebrow archy plot moments, mainly having to do with the inaction of the gods. But Xena makes up for it with a strong focus on characters. Who is really keeping track of how many fireballs Callisto should be throwing, when emotionally things are coming to a head between her and Xena? I mention Xena specifically, because while the evil half-goddess Hope is Gabrielle’s child, Xena still bears significant responsibility for creating the villain Callisto became. One might argue—correctly—that she is a more compelling and dynamic character than Hope is, too. Though man, Renee O’Connor was having a blast playing Gab’s daughter. :P

There is some great stuff for Ares, too, just sayin! So much great stuff for all of the characters that they truncated or deleted a loooot of footage. The season three DVD set devotes one entire disc to just this episode and a bunch of special features—all of the unaltered scenes, interviews with several people involved in this particular duology and etc.

The ending packed a punch, and left fans on the edge of their seats that summer of 1998, wondering just what the hell would be coming next. Mission accomplished, season finale. :P

Summary is here, courtesy of whoosh.org.

Spoilery thoughts )
chavalah: Fandom: Farscape (Chiana: Sexy Pride!)
[personal profile] chavalah
Oh man, this episode! The ending to Farscape season three. I mean, I remember loving it when I first watched it live on the SciFi channel. That being said, I think a lot of my emotional capital at the time had gone into the operatic piece that was the two previous episodes. This one, in fact, is much quieter and much more insular.

Perhaps even more insular than I even remember. Ben Browder and Claudia Black (John Crichton and Aeryn Sun, respectively,) talked in the DVD commentaries about how a season finale isn’t supposed to be so much in one person’s head. I was like—is this season finale really that much different from the others? And yeah, I mean I guess so. Comparing it to my other favorite Farscape finale, for the second season…well, that one had, uh, Harvey taking over John’s mind, the death of Aeryn, her funeral, visiting a whole new planet where John could get the chip out of his head, and Scorpius sabotaging the surgery.

Here, in season three, most of the physically dramatic stuff only played out in John’s head (including Scorpius sabotaging his wedding. :P) Yeah, we had the so called “A plot” involving a rogue Leviathan standing in the way of burying Talyn’s remains. But that was mostly in place to give something external for the Moya crew to react to. I realized, with this viewing, that there’s no nuance to that plotline, because really it had little to do with the actual meat of the episode.

Speaking of which, another “thing” (not the appropriate word, of course) that had little nuance was guest star Melissa Jaffer’s character! She didn’t even have a name (yet. Or that was referenced yet.) This is something I definitely did not notice as a teen. I was always thrilled when the show introduced new characters, and ergo made the Uncharted Territories feel like a bigger place than just our crew. But now I’m realizing that the only reason she was there was to provide back up for John’s story arc. And maybe a little bit of foreshadowing about a certain addiction he’ll develop in season four! :/

It’s a very dark episode—both lighting wise (except for the Earth fantasies) and tonally. Season four, I think, might get darker than this, or might be on par with this, for the most part. But what this episode really hammers home is that Farscape is a character driven show. The scientific theories and alien realities of the week are not what make this thing run. The show is about realizing that the Moya crew is a found family. And then grappling with elements (infamous coin tosses among them in this episode) that will drive them apart.

Episode summary is here, courtesy of Farscape World.

Spoilery Thoughts )
chavalah: Fandom: Xena (Xena/Gabrielle: OTP Pride!)
[personal profile] chavalah
I meant to get to recapping this back in 2019…woops. Oy.

Also: welcome to my favorite two episodes of the series! :D Though technically, I’m kinda hoping that the season finale will hold up a little better. :/ Or add a little more context. Or make me forget the awful ‘90s CGI (though Hudson Leick’s acting helped in that regard! :D Why get bent out of shape about a spiral wheel and large hands coming out of it when Callisto’s smirk follows, hee?)

It’s been several years since I’ve watched this, but I do think Beth Gaynor on whoosh.org has a bit of a point—part one is largely filler. A pretext for the big showdown that will be part two. And it moved kind of fast, too! Maybe it should have explained more, like what was up with Ares’s shift of allegiance? I have my theories, given the arc of the second episode, but it’s a little more wishy washy here.

But I do still love this episode. It’s the beginning of the culmination of The Rift, so of course we have to bring back the major players from earlier in the season—namely Gabrielle’s daughter, Hope! :o Yeah, I spoiled it. :P But the important thing to show in this iteration of the Hope conflict is that Xena and Gabrielle are largely on the same page again. And perhaps a little more, according to Steven L. Sears’s commentary!

You might also wonder what Callisto is doing in here (and Ares! Plus a lot of extras.) Apparently, Callisto, Ares and Hope all played guest roles in a recent episode of Hercules, which advanced their plotlines a bit. Xena apparently knew all of this through the grapevine because she’s Xena, so she’s basically all knowing. :P But seriously, I think they did their best to do a mini recap for those of us who didn’t watch the other show. There’s no getting around the clunkiness. But luckily, even in this set up episode, there is enough action and gravitas that recounting all of the backstory doesn’t necessarily matter. Just give everyone a quest (and from the title, you might guess what Hope’s ends up being :/) and let’s go! Season finale, part one, whooooo!!! :D

Summary is here, courtesy of whoosh.org.

Spoilery thoughts )
chavalah: Fandom: Farscape (Chiana: Sexy Pride!)
[personal profile] chavalah
OK, so yeah, I said that this two parter was my favorite part of the entire Farscape run…but really, this one was my favorite episode. :P It was so jampacked with character drama and wrapping up the major themes of season three…about the dangers of wormhole technology, about letting go of your past and/or taking steps into a new future, and most importantly, about the end of certain huge relationships. And characters…because yes, we have some big character deaths in here! And no Zhaan to bring them back this time.

I mean, I should like the season 3 finale better, I think, because Chiana has more screen time in it, I’m pretty sure! Instead, even some 20 years later, I am riveted by the finale John and Scorpy scene together. Guy Gross’s dramatic Latin music, sort of in the vein of the Agnus Dei he used at the end of “Die Me Dichtochromy” last season, certainly helped as well.

I just listened to Rockne O’Bannon and David Kemper’s commentary on this episode, and I can’t believe how much they were winging it. :P I mean, in the big picture, they knew where they wanted to end the season. And they even scavenged and saved old sets so that they could make a big-ass looking Peacekeeper Command Carrier! But apparently Rockne was writing this episode, episode 2 of Into the Lions Den, concurrently, more or less, with Richard Manning who wrote part 1, Lambs to the Slaughter? Oy.

Thinking critically about all of this, especially after listening to O’Bannon and Kemper, I think the reason this season finale gets to me more than any of the other stellar season finales on this show is BECAUSE of where the Moya crew (and their contemporaries) were at this point in time. Unfortunately I don’t think season four was as strong as this one, but I will be revisiting those impressions soon! I do know that we’ve been following Scorpius since the end of season one, and got really up close and personal with him this year. I know that we’ve been following Crais since the beginning of the show, but this year he became one of the family, if often a strained member. I know that the Command Carrier gave Aeryn the chance to confront her past and John the chance to unlock his wormhole knowledge. I know that D’argo and Rygel are set on new paths since last episode, and well, Chiana has the promise of her visions turning into something big. Moya and Talyn are also on the cusp of change after it’s decided that Talyn needs a personality overhaul. And Jool is…well, she’s there, I guess. :P I admit, I don’t feel for her as much as I do for the others.

All of this rambling is to say that these characters are well defined, and often well loved, and this episode put all of them into a point of culmination that I don’t think happened anywhere else. I think that is the power of this particular duology.

There is so much to talk about under the cut; I hope I do it justice!

Episode summary is here, courtesy of Farscape World.

Spoilery Thoughts )
chavalah: Fandom: Xena (Xena/Gabrielle: OTP Pride!)
[personal profile] chavalah
The final episode before the big, two part season 3 finale! And yeesh, the cast and crew hate it something awful. :P I didn’t think it was that bad! Ridiculous, sure, but not as ridiculous as, say, the last episode, “Tsunami.” Then again, it’s been a year since I’ve watched that one, so. :P

Basically, Xena and Gabrielle go off to visit old friends we’ve never heard of before, members of two recently peaceful villages, who happen to have their statue commemorating that peace stolen from right under their noses. Autolycus shows up as well, because to protect his reputation as the King of Thieves, he has to steal said statue back. The Warrior Princess and the Bard work with him towards this end.

Yes, there’s stupid backstory and yes, there’s bad special effects. But Lucy Lawless, Renee O’Connor and Bruce Campbell have fun together! Or at least that’s how it’s always seemed to me. Maybe it’s because we’re so far removed from the end of the show that I can take the time to appreciate an episode that doesn’t amount to much more than generate some fun scenes between those three. Maybe it’s because I’m a secret hippie peacenik and like the idea of venerating a statue for the end of hostilities. Maybe it’s because of Lucy’s latest hilarious caricature (though it also kinda makes me cringe!) Most likely it’s because I’m taking a deep breath before diving into the final two episodes of the season, which are much more revered. And also my faves of the series, methinks, but I’ll get to those in due time!

Summary is here, courtesy of whoosh.org.

Spoilery thoughts )
chavalah: Fandom: Farscape (Chiana: Sexy Pride!)
[personal profile] chavalah
I finally made it…to my favorite two episodes of “Farscape.” Been excited for this ever since I started this scifi rewatch project, way too long ago! And I think, in some ways, they might be my favorite two episodes of television ever.

Granted, I suppose some production values don’t live up. The music is a little canned, there’s obviously no big movie-style budget for lots of extras and lavish sets (though, to be fair, the Peacekeepers are pretty austere,) and even some of the CGI is a little bit hokey-looking.

But who cares? I’m not in love with this show for its technical side; I’m in love for the characters. And as we get into the final three episodes of season 3, things are really coming to a head. We see the instigation of what the crew has been talking about for the last episode and a half—Moya (the people onboard her, anyway,) come to Scorpius’s command carrier. Now everyone from the various story arcs of the year are all in one place, and with various agendas to keep them going.

Add on top of that that John’s having a “Hamlet” moment (my quick speak for someone who is conflicted on his next move,) and the introduction of a major new character who will impact the rest of the series. But what’s most fascinating about her now is not her own charisma, but the political realities that she broadens for us. Love, love, love.

Some technical notes about this recap—looks like the John and Aeryn website, which I linked to for their episode summaries, is down! So too is the ScapeCast and the Scaper Chronicles I’ve been listening to for years (some of their episodes are now on YouTube.) It’s the end of an era…though perhaps the beginning of a new one, what with all the 20th anniversary extravaganza and Farscape now being available on Amazon Prime. :D

This might have been around the time where I realized how special Farscape was, how they can indulge in these big messages with dramatic stakes and make, well, the Uncharted Territories and beyond, feel so real. I still love the kookiness and the sense of wonder, but seeing things come together on such an epic scale really grabbed me, and cemented my love for the macro nature of science fiction and fantasy. Plus, I still feel personally attacked by that final image before “to be continued…” I may need to get out more. :P

Episode Summary is here, courtesy of Farscape World.

Spoilery Thoughts )
chavalah: Fandom: ASOIAF (Sansa: Life is Not a Song)
[personal profile] chavalah
I’m here with the final episode of season seven, but I’ve fallen behind. :/ The final season is officially here! But I haven’t watched episode 8.01 yet. I wanted to get my feelings about the past action sorted out first.

One thing that sticks with me from this episode is not the terrifying final few shots of the season, cos that’s not how I roll. :P Except, of course, to worry about the safety of my faves. But what I’m really thinking about is the use of treachery on the show, and more specifically, in this episode in particular.

And yes, this all boils down to my issues with the Winterfell “gotcha!” plot, which I’ve talked about ad nauseum. I’ll lay out my arguments for the final time under the cut.

Other than that…there’s a lot to recommend this super long episode. Most of it takes place at the dragon pit at King’s Landing, where we’re privy to all sorts of reunions. Like I wrote about the last episode, this one of my favorite parts of the show! The human interactions are incredibly arresting, for the most part. And none moreso, perhaps, than the scene between our favorite, two-handed Lannister siblings. :P A family friend wrote me shortly after watching this, and he hinted that though he’s not emotionally affected by the series like I am, heh, even he could sense the power in this scene. I mean, all you have to do is get Peter and Lena in a room together.

Not nearly as strong a note to end on here, but remember when I “hint hinted” in episode 7.01 when the Lannister soldier talked about seeing the dragon pit? I told you that would pay off! :P

Episode Summary and Spoilers )
chavalah: Fandom: ASOIAF (Sansa: Life is Not a Song)
[personal profile] chavalah
Welp, we’ve come to it, folks: my least favorite episode of the yeeeeear! Quite unlike how I feel about most penultimate eps, but a truncated season covers new ground, it seems.

Or more accurately, a truncated season truncates ground. I may have made my peace with “capture the wight,” but the actual battle beyond the Wall left me cold. Seriously, why didn’t anyone have their hoods up in those punishing winds of winter, teehee, (other than the Hollywood demand to see our leads? :P)

Back in season/book one, the selling point of the story was that no one is safe from death if their/other people’s actions lead them there, but this episode bent over backwards to let a bunch of ninconpoops (particularly one whose name rhymes with Shming in the Smorth) to survive. Sigh. Though I will say…the final death we got to see did carry a lot of heft.

But in general…when I’m watching the Hound throw rocks at a bunch of zombies from the Mummy movies, it’s hard to justify that this is award-winning television. :P Also, I’ve gone easy on the geographical hopscotch this year, but how long would it take for Gendry to reach Eastwatch, a raven to fly to Dragonstone, and Dany to make it beyond the Wall? Surely our band of living men, who were literally standing in the middle of a circle of the dead, would have starved by then. Right?

I should shut it before I spoil any more of the plot up here…and most of my annoyo-feels have to do with Winterfell anyway. :P I’ll lay into it under the cut.

Episode Summary and Spoilers )
chavalah: Fandom: ASOIAF (Sansa: Life is Not a Song)
[personal profile] chavalah
Upon re-watch, I have to admit that I’ve probably been too hard on this episode in the past. The “capture a wight” storyline sounds reductive, but given the parameters of the show it’s really the only option of Team Breathing. Also, as I’ve stated ad nauseum, I really dislike aspects of the Winterfell story this year. But to be fair, in this instance it’s a particular segment of fandom’s response that pisses me off. :P The actual plot in this eppy seems legit. Some stumbling blocks in execution, but still legit.

Seems like every storyline is more or less asking itself the same question—when should we be ruthless and when should we work together? Other than White Walkers vs the living, that issue is still very porous. Plenty of human characters are still facing distrust and personal agendas.

I guess in that vein, it’s kind of soothing that several characters are banding together to find a black and white monster to convince others of a black and white problem. And it leads to a lot of reunions, too! Huzzah!

Episode Summary and Spoilers )
chavalah: Fandom: ASOIAF (Sansa: Life is Not a Song)
[personal profile] chavalah
It’s been a little while since I’ve been here! :/ But I still intend to finish recapping this season before the new one starts, even if that means posting during the wee hours! Anywho.

We’re at the midpoint, of sorts. Lots of balls up in the air. Will Cersei get her gold so she can continue to do business with the Iron Bank? Will Arya make it home? Can Jon and Dany come to some kind of understanding, despite their differences?

Overall I liked this episode, though I’ll start to quirk my eyebrow a little bit at some of the character development in Winterfell. :/ And it only gets worse from here. Alas. This one is actually pretty moving, over all. And of course, the loot train fight scene at the best was technical GoT at its best. I might nitpick the very ending a little, but I’m sure it’ll sound whiny of me. :P

Episode Summary and Spoilers )
chavalah: Fandom: ASOIAF (Sansa: Life is Not a Song)
[personal profile] chavalah
Lots of reunions this episode. :P People who haven’t seen each other for significant amounts of time seeing each other again. Also, one huge introduction, which some parts of fandom have been clamoring to see for a long, long time. It is sort of foretold in the title of the book series, after all. :P

The women continue to rule the roost as well. There is one particular scene where a trio of women is at the bottom of the food chain (complete with sexist epithets being thrown at them), but the person on TOP of that food chain is also a woman. Dany, Olenna and Cersei all get some pretty kickass monologues. Sansa is freaked out by something, but over all she’s also at the top of her game. And Melissandre, though perhaps personally defeated, maintains faith in the bigger picture.

The human war remains unpredictable, and we’re taking slow steps with the undead war, too! And despite the drama, we even get a scene of camaraderie between strangers via Jorah and Sam. But the crux of this episode’s success lies upon the introduction between ice and fire. I thought it went well, for my part.

Episode Summary and Spoilers )
chavalah: Fandom: ASOIAF (Sansa: Life is Not a Song)
[personal profile] chavalah
Promises are kept and courses of action altered in this episode. We see the first fruits of both Cersei and Jon’s wars! Had some nice character moments, too, particularly for Arya and Theon.

It’s a good episode that starts to bring the bits of the plot together. Perhaps it’s a first sign, to those who want a hasty pace for the plot, that this is the season for them. :P

Episode Summary and Spoilers )
chavalah: Fandom: ASOIAF (Sansa: Life is Not a Song)
[personal profile] chavalah
Hello, hello! We are approximately seven weeks away from the start of the eighth and final season of “Game of Thrones.” Reaching the endgame here.

In recapping season seven, I may spend a liiiitle bit of time speculating about possible spoilers for the upcoming books (aided by Linda’s commentary at westeros.org) but I don’t mean to make it a big staple. Suffice it to say that the show and the books are largely two different animals by now. I’m more keen to comment on the show.

Like many season openers, this one casts a wide net, even as the characters slowly grow closer in proximity to one another. There’s a little bit of recapping past events and foreshadowing future ones. Since it’s very character driven I tend to be on board, though I have a tiny quibble to pick in the Sansa story. :/ Alas, compared to developments later in the season, this barely deserves notice.

But let’s stay on track here! Our first non-ten-episode season starts out strong. We get the character beats, and also some very direct reminders about the impending danger of the White Walkers. Winter is coming. :P

Episode Summary and Spoilers )
chavalah: Fandom: Xena (Xena/Gabrielle: OTP Pride!)
[personal profile] chavalah
In general, I don’t think that this one went down as anyone’s favorite “Xena” episode. It must have been a feat to film, I mean the crew in the commentaries was talking about confined spaces and lack of light and everything. But the cast was filming in gross water all day and from all accounts I can find seem to have been rather miserable. There was even a bit of a snafu with the logistics, which I will get to under the cut!

In essence, this is the story about a rag tag group of misfits facing off against an environmental disaster and having to work together. I mean sort of. :P I guess I’m thinking “rag tag” because the guest stars all come at life from different, thinly defined perspectives. And “environmental disaster” only works if you ignore all of the laws of physics. :P Even I know what happened to that ship is pure science fiction. But we live in the Xenaverse here, and the most important law of the land is whatever you do, you should really listen to Xena. :P She will always be the expert on all matters of survival.

Otherwise, I suppose this episode is a little bit of a morality tale about the right ways to treat people, though in general the whole idea of prison labor wasn’t really fully explored or challenged. I think I do like that one of the villains never really got a turning point. I mean, the guy was a complete idiot, and an hour with Xena couldn’t make him see the error of his ways. But then our warrior princess had this line that reminded me, subtly, that this show is about her journey (and Gabrielle’s), not some random guy’s. All the stronger for it.

Oh, and have I mentioned that Autolycus is in this episode? :P He is. Hee.

Summary is here, courtesy of whoosh.org.

Spoilery thoughts )

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